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chewie


 

          first page of  CHEWIE NUMBER 41 

                                                                                                                                                 THE February 2010 EDITION AND

THE FINAL CHEWIE

                                                                        And, is it time to forget about PARIS MILTON?

Well, Mister Chewie's dog isn't so sure about that. She, the dog, reckons "FORGET ABOUT WHO?"

Just as "Forget about whom" comes as a retort from Missy Rat who lives under the kitchen cupboard.

Whatever, there are 9 pages here, okay? Each is named chewie 1, chewie 2 and so on.

of whatever and suchlike as blah, blah, blah (fade to black). Check it out.

Here and there there are stories by Zoey Pepper, by Cheney Brew,

and poems by TIMOTHY P BOCQUET, Colin McKellar and Hartmann Wallis. Plus a...  

why not just go see... check out KITAJ below

                                                                       

FIRST, A BIG DOG HUGGING HELLO FROM ONE DOG HUGGER TO ALL THE OTHERS

 

   
On Fame
by John Keats

Fame, like a wayward girl, will still be coy
To those who woo her with too slavish knees,
But makes surrender to some thoughtless boy,
And dotes the more upon a heart at ease;
She is a Gipsey,—will not speak to those
Who have not learnt to be content without her;
A Jilt, whose ear was never whisper’d close,
Who thinks they scandal her who talk about her;
A very Gipsey is she, Nilus-born,
Sister-in-law to jealous Potiphar;
Ye love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Make your best bow to her and bid adieu,
Then, if she likes it, she will follow you.

 

AGED FAMOUS ARTIST QUOTE... 


"Where are all the beautiful women?" a lady asks R.B. Kitaj during the packed openingof his recent show at L.A. Louver, a leading gallery in Venice, California.


"What?", he replies, incredulously. Mr. Kitaj has battled deafness for many years, but even so would have had difficulty comprehending this question.


The lady gestures towards the paintings and drawings on display.

Many feature a voluptuous young woman, usually nude, often in the company of an older bearded man.

On first impression, they do indeed seem to represent a cast of women, with different features and hair colors, rather than a single protagonist.


When finally the penny drops, Mr. Kitaj fixes his bewildered interlocutor a defiant stare: "She's dead!"

 R. B. Kitaj; IF NOT, NOT; 1975-76 
 Kitaj; THE OHIO GANG; 1964  WALTER BENJAMIN in a library
 Kitaj; RED DANCER OF MOSCOW (screen print) 1975

Kitaj; THE AUTUMN OF CENTRAL PARIS

(after Walter Benjamin) 1972-74

  

 

 

 

 Kitaj; ECLIPSE OF GOD; 1997  Kitaj; STUDIO VISIT; 1998